Filmographie indicative :
Still Lives, Jon Red, 1999
Evolution of a filipino family, Lav Diaz, 2004
Ang Pagdadalaga ni Maximo Oliveros (The Blossoming of Maximo Oliveros), Auraeus Solito (connu également sous le nom de Kanakan-Balintagos), 2005
Donsol, Adolf Alix Jr, 2006
Serbis, Brillante Mendoza, 2008
Independencia, Raya Martin, 2009
Manila, Adolf Alix Jr, 2009
Busong, Auraeus Solito (connu également sous le nom de Kanakan-Balintagos), 2011
Norte, the End of History, Lav Diaz, 2013
On the Job, Erik Matti, 2013
From What Is Before, Lav Diaz, 2014
Motherland, Ramona S. Diaz, 2017
Bibliographie indicative :
Shakuntala Banaji (dir.), South Asian Media Cultures Audiences, Representations, Contexts. London, New York, Anthem Press, 2010.
Tilman Baumgärtel (dir.), Kino-sine: Philippine-German cinema relations, Manila, Goethe-Institut Manila & Anvil Publishing, 2007.
Tilman Baumgärtel (dir.), Southeast Asian Independent Cinema, Singapore, NU of Singapore Press, 2012.
Jonathan Beller, Acquiring Eyes: Philippine Visuality, Nationalist Struggle, and the World-Media System, Manila, Ateneo de Manila University Press, 2006.
William Brown, “Melancholia: The Long, Slow Cinema of Lav Diaz”, Slow Cinema, (ed.) Tiago de Luca and Nuno Barradas Jorge, Edinburgh, Edinburgh University Press, 2015, pp. 112-122.
Eloisa May Hernandez, Digital Cinema in the Philippines: 1999–2009. Quezon City, University of the Philippines Press, 2014
May Adadol Ingawanij, et Benjamin McKay (dir.), Glimpses of Freedom: Independent
South East Asian Cinema, Cornell, Cornell Press. 2011.
John A. Lent, “Southeast Asian Independent Cinema: Independent of What?” dans Tilman Baumgärtel (dir.), Southeast Asian Independent Cinema, Singapore, NU of Singapore Press, 2012.
Clodualdo Jr del Mundo (ed.), Direk, Essays of Filipino Directors, Brighton, Sussex Academic Press, 2019.
